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The History of Painting in East Asia: Essays on Scholarly Method TOC
Section I: Studies of Canonical Paintings
- Chen Pao-chen, “Painting as History: A Study of the Thirteen Emperors Attributed to Yan Liben”
- Robert E. Harrist, Jr., “Layman Pang and the Enigma of Li Gonglin”
- Shimao Arata, “Sessu’s Xia Gui-Style Landscape Paintings in Light of ‘Comparative Culture
Theory’”
- Sato Yasuhiro, “Classic and Colloquial Urban Views: Yosa Buson’s Houses on a Snowy Night”
Section II: Buddhist Painting
- Lee Yu-min, “A Preliminary Study of the Mural Paintings in Cave 321 at Mogao, Dunhuang”
- Youngsook Pak, “Naksan Legend and Water-Moon Avalokitesvara (Suwol Kwanum) of the Koryo Period
(918-1392): The Role of Legend in Koryo Iconography (II)”
- Marsha Weidner, “Portraits and Personalities in the Temples of Ming Beijing: Responses to
Portraits of the Monk Daoyan”
- Donohashi Akio, “The Production Location of Priest Portraits”
Section III: Literati Painting
- Yi Song-mi, “Ideals in Conflict: Changing Concepts of Literati Painting in Korea”
- Craig Clunas, “Commodity and Context: The Work of Wen Zhengming in the Late Ming Art Market”
- Jonathan Hay, “Wen Zhengming’s Aesthetic of Disjunction”
- Shih Shou-chien, “Wen Xhengming, Zhong Kui, and Popular Culture”
Section IV: Art Historical Methodology
- Itakura Masaaki, “Texts and Images: The Interrlationship of Su Shi’s Odes on the Red Cliff and
Illustrated Handscroll of the Later Ode by Qiao Zhongchang”
- Sano Midori, “The Narration of Tales, The Narration of Painting”
- Timon Screech, “A Japanese Construction of Chinese Painting in the Eighteenth Century”
- Sato Doshin, “‘Hisotry of Art’: The Determinants of Historicization”
Section V: Recent and Contemporary Painting
- Richard Vinograd, “The Ends of Chinese Painting”
- Wan Qingli, “Chinese Merchants as Influential Artist: 1700-1848”
- Yen Chuan-ying, “Images of Cultural Identity in Colonial Taiwan: From Huang Tushui’s Water
Buffalo to Lin Yushan’s Home Series”
- Wu Hung, “Contemporaneity in Contemporary Chinese Art”